limited mother’s day edition of 500 numbered copies on pretty pink & edgy dark mixed 180 gram audiophile vinyl.
the soundtrack of the black comedy film bad moms includes well-known songs and artists like dnce, kt tunstall, janelle monaé, foreigner, walk the moon, icona pop feat charli xcx and many more. christopher lennertz (medal of honor, sausage party, smurfs: the lost village) composed the score music.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

viele der songs seines selbstbetitelten albums »ringo« (1973) wurden von george harrison produziert, zb der song »it don t come easy«, der song »photograph« entstand aus einer gemeinsamen feder, und die bis dato unveröffentlichen harrison kompositionen »sunshine life for me« und »you and me (babe)« wurden mit aufgenommen. john lennon steuerte die komposition »i m the greatest« bei, für den er auch den hintergrundgesang übernahm und am klavier saß.

mit »zwischen den runden« ist das letzte kettcar-album nun bereits fünf jahre her. drei jahre liegt auch »konfetti«, das solodebüt von sänger marcus wiebusch, zurück.
deshalb dürfen wir uns 2017 besonders über das neue album der hamburger indierocker freuen. »ich vs. wir« heißt die mittlerweile fünfte studioplatte von kettcar.
elf songs hat die band dafür geschrieben und aufgenommen. die produktion übernahm philipp steinke (bosse, revolverheld, mark forster).
limitierte special-lp mit gestanztem gatefold-cover und booklet im lp-format plus downloadcode.

réminiscences is a selection of 8 standards of the band revisited in a more punchy and electro style compared to the original versions but preserving what made the specificity of the opera multi steel sound. indeed, on boosted rhythms and fully re-recorded vocals, those new versions use sounds and “historical” instruments cherished by the band since its beginnings: tr 808, tr 606, tb 303, elex, casio vl-1, recorders, medieval choirs and various samples. the texts have been preserved in their entirety. the tracks are taken from albums such as cathedral (un froid seul, du son des cloches...) a contresens (les sens, las), les douleurs de l’ennui, la légende dorée (fureur en asie) and even from the very first vinyl ep of the band (massabielle). the artworks of the disc and sleeve, as well as the video clip coming together, have been realized by alan cassiano, who based his graphic work on visual atmospheres inherited from the very first vinyl ep of the band, using images taken from the encyclopedia (xviiith century) and perspectives by jan vredeman de vries (xvith century). finally, reminiscences is not a simple compilation of tracks, but rather a kind of travel through the different ages of opéra multi steel’s music rearranging/revisiting classic songs and images through nowadays eyes and ears.
limited edition of 250 numbered copies on picture vinyl.

growing up in the bustling port city of busan and running his own record shop there from the late 70s, kim byoung duk had a front-row seat to the finest in foreign record imports and a taste for the psychedelic that naturally evolved into spiritual, ambient and avant-garde sounds. his growing interest in tao philosophy and the meditative music that accompanied it provided a fertile environment for his audio imagination. unhampered by limited access to musical gear, he made use of a wide assortment of self- sourced pots of various sizes and curvature, cymbals, wooden sculpted flutes and percussion tools—each chosen for its unique harmonic vibration—to create an entirely new and unique body of work. experiment no. x retraces the oeuvre of kim byoung duk, assembling tracks from experiment no. 2, pot concerto and new trilogy, illustrating a meditative journey from the freeness of the tao sound, in the borders of ambient music and the avant-garde, to later groove-oriented jams which introduce rhythmic elements to the palate. this fully licensed release is the first collection of kim byoung duk ,s music, remastered from the original tapes and including for the first time on vinyl songs from the very scarce cd new morning. includes four-page booklet with photographs and an interview from kim ,s personal archives

superstar & star are back on porridge bullet with there first vinyl ep proper! mastermind ep! a collection of seven classic songs from superstars vaults available for the first time on an estonian vinyl record! neville lawrence immigrated from his home country of trinidad to new york in the mid 80’s where, a few years later, following his fleeting east coast success, he re-settled with wife anne (star) in omaha, nebraska where they continued to perform, produce and record music until the present day. after releasing a cassette, 7inch and 12inch single with us in the last year we are happy to present yet another wonderful release from superstar and star! big big hugs!

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

trisomie 21 is a post punk band formed in 1981 by phillipe lomprez (vocals, drums) and herv? lomprez (guitar, electronics), two brothers from abscon, in the north of france. they began composing songs at the age of 16 while studying at school. the brothers were influenced by kraftwerk, the residents, yello, p.i.l as well as the films of george a. romero. their music consists of lush soundscapes that do not easily fit into any one category. lyrics are sung in english because in the north of france the duo sought to contradict the trend at the time for everything to be sung in french. musically their mood is melancholic and one can hear traces of joy division, durutti column and the cure.

dark entries is honored to release a 4-track ep by red axes, the prolific production duo of dori sadovnik and niv arzi from tel aviv. the pair were raised on a diet of post-punk, new-wave, and italo-disco at fogged out warehouse and basement parties. their own productions and remixes have appeared on labels such as i?m a clich?, correspondant, and hivern discs. ?nyx tape? features two new compositions backed with two edits from our catalog. first up is the slick electro anthem ?5 min? another collaboration with french-canadian born singer chlo? raunet aka c.a.r. followed by ?nyx tape? featuring charismatic singer-lyricist gina kikoine aka gina x, who reached out after hearing their remix of her classic single ?no gdm? that was a huge anthem on the tel aviv 80s underground scene. the track is an ecstatic dance to the rhythm in the darkness with gina?s ice cold teutonic spoken word taking creative inspiration from the jewish mourners? prayer ? the kaddish. on the b-side ?destination moon? by solid space from 1982 has been given a dancefloor makeover with moody synths and a haunting guitar line reminiscent of an adrian sherwood dub. closing this ep is a hypnotic edit of ?la machine ? r?ver? by french bedroom synth freaks x-ray pop from 1984 slowed down to a 4/4 groove that takes the original to outer space and back. all songs have been mastered for vinyl by george horn at fantasy studios in berkeley. the ep is housed in a custom made jacket that features an original collage by eloise leigh representing nyx, the greek goddess of the night. each copy included a postcard with notes and lyrics.

amazing grace how sweet the sound! traditional gospel flavors the background as the singer reaches for the heavens with songs like what can i do for you, covenant woman, solid rock, and saving grace.

der multi-instrumentalist matt kidd aus houston schreibt tiefgründige kompositionen. slow meadow veröffentlichen das 43-minütige album costero am 17. november. die 10 songs sind matt kidds zweites werk als slow meadow.
costero folgt dem debüt des 33-jährigen, das vom new york observer und vielen anderen gefeiert wurde. costero ist eine wehmütige und zum teil opulente sammlung mit entwürfen für piano und streich-quartett.
kidd legt den fokus auf die verbindung zu zeitgenössischen minimalisten wie goldmund und nils frahm. der französische illustrator jan garet steuerte original-werke für jedes der zehn stücke auf costero bei. die platte wurde von james plotkin gemastert.
pressung auf 180 gramm vinyl, downloadcode inklusive.

if m.a beat! was a place, it would be the liquidrom in berlin. this sauna where the youth swim to the rhythm of comforting electronica. their music is often oneiric composed of ethereal details with surrealist samples. after ‘drowning for love’ album and a few eps, m.a beat! ‘s second album ‘sans soleil’ will be released 29 september via bmm records and its first single nosferato on september 8 with a clip by the gif artist sarah zucker. ambient music legend, brian eno-collaborator, laraaji is featured on the album and give birth to a cross collaboration with the band : m.a beat! will release a remix for laraaji s new album. in the lineage of avant-garde electronic music, the band s last effort appears to be experimental, adventurous and radically different from their previous ones. using less sample collages and improving composition techniques, the trio seems to travel in time with ambient landscapes and obscure pop songs.

deichbullen war die kleine, selbstproduzierte indie-webserie von regisseur michael söth, in der 2 hamburger polizisten hinter den deich versetzt werden, um auf den mysteriösesten fall ihres lebens zu stoßen. eine großartig, langsam erzählte story.nachdem die dbs unerwartet mehrere internationale preise und nominierungen erhalten haben, war es den machern nun möglich mit der unterstützung von studio hamburg eine ausgewachsene erste staffel zu produzieren. mit dabei in einer der hauptrollen: staatsaktkünstler reverend christian dabeler, der gemeinsam mit helge dube die songs zur serie geschrieben hat.

wonderwheel recordings is proud to present the first full-length album from producer robin perkins, aka el buho. balance represents a meeting of different currents that make up buho s music: a fascination with the natural world, and its protection, a fascination with the rhythms, traditions and sounds of latin america and a fascination with modern electronic music and production aesthetics. the album is peppered with cumbia, son jarocho, andean instrumentation & afro- colombian rhythms. mixed with this, robin integrates this idea of -nature music- - putting the sound of a misty forest, the songs of birds, of crunching leaves under foot or the rhythmic tapping of rain alongside synthesized sounds, electronic clicks or claps, deep basses. trying at once to give them their own space but in a new, surprising perspective - it draws electronic music into something more soft, natural, different and appealing. balance is also an album that celebrates community and collaboration, showcasing collaborations with ten different artists form latin america and beyond, both producers, instrumentalists and singers. including more of a lyrical presence than his previous eps, perkins solicited the participation of talented singers like dina al wedidi from cairo, luzmila carpio from bolivia and the incredible decimas of mexican poet citlaly malpica. the album also features the likes of harpist veronica valerio, argentine multi-instrumentalist rumo tumba, jarana player pablo emiliano from mexican son jarocho group semilla and members of the shika shika

new parisian imprint abîme are launching their catalogue with lettre d amort, an ep by french producer chams. it is a deeply personal collection of songs that were born out of transcendental experience he had during his teenage years. growing up surrounded by the alps and raised by an alpinist father, he always felt like those high mountains looming over him were “sacred places where the beauty and fear of nature merge to shape a unique atmosphere of vulnerable plenitude.”

after building up a unique state of the art sound since ages- including records on labels such as bine, source, modern love, uzuri, warp and many others- move d and benjamin brunn come along with a single on smallville to tease their forthcoming album >songs from the beehive<. the honey ep takes a short trip into the world of two ultraspecial producers. benjamin brunn and move d cut these three pieces from their ultradeep live jams and the result is magical. the deeply kicking >honey< is already proved by smallvilles lawrence: >how crazy can the panorama bar get!<. his flatmate efdemin prefers the >melons<: >thats the deep shit for life!!<. and golden pudel chief ralf köster is amazed about his new ambient number one >after the rain<. in the end move d and benjamin brunn put together what belongs together looking forward to their big album in 2008

a creative partnership between tom laroye and yam who?, qwestlife is a trans-continental boogie trip between the two producers’ respective homelands of paris and london. fulfilling the glitterbox philosophy by crafting great songs the old school way with analogue and weird electronic gadgetry, qwestlife’s ‘give me a minute’ appeared first on glitterbox’s disco revenge compilation and now graces vinyl for disco connoisseurs everywhere. featuring the vocals of a frequent yam who? collaborator, soul diva jacqui george, ‘give me a minute’ is an instant party anthem. disco-fuelled synths and strings plus live sax, trumpet, guitars and bass give a glorious saturated dancefloor vibe rolled into one by sticky hooks and a timeless catchy chorus. accompanied by the dubbed out version, plus an accapella and bonus beats, this sweet vinyl release provides all the good stuff that qwestlife have to offer.

dais is proud to announce the new single “sunday light” b/w “madeline”. the new songs are a continuation of the strong compositions and songwriting evident on last year’s album, and a showcase of choir boy’s musical talent. the 7 inch vinyl includes a download code.

brilliant 70s material by antonio carlos jobim – one of his key sets from the middle part of the decade that had the composer really deepening his approach to both singing and songwriting – moving past some of the more instrumental modes that he was using at the start of the decade! there’s a richness to the songs that goes way past simple bossa styles – and the lyrical brilliance shows that jobim hardly ever needed a poet or co-writer to help him hit the heights – as he really wins us over with his words as much as his music. claus ogerman produced, and gives things the right balance between fullness and space in the charts – which allows both a great focus on antonio’s vocal style – expressive, but very down to earth – and a few nice solos on fender rhodes too! titles include -saudade do brasil-, -correnteza-, -boto-, -ligia-, -valse-, -arquitetura de morar-, and -o homem-.

love songs? yeah, house love songs by ivano tetelepta for siena.

heroes ist einer meiner absoluten all-time favorites und der song funktioniert auch auf deutsch richtig gut, sagt doro pesch und erzählt von ihrer persönlichen verbindung zum verstorbenen mega-star bowie: wir sind uns in den 90er jahren ziemlich regelmäßig im berühmten new yorker sir-studio begegnet, da wir beide dort oft geprobt oder songs aufgenommen haben. bowies gitarrist earl slick hat auch auf meinem 1995er album machine ii machine den song in freiheit stirbt mein herz gespielt.
limitiertes 7 inch picture vinyl.
achtung: b-seite schlecht zentriert, sound leiert!

prelude ep is the inceptive release of oxmose, which marks the first entry in an ongoing catalogue, and the beginning of a journey with various artists. at its heart, the prelude ep is a dialogue between two composers a conversation that traces the line between abstract, electronic experimentalism and glitering interpretive jazz. parisian producer shcaa takes control of side a with core a near 20 minutes exploration into sound, which skirts the fringes of avant-garde minimalism and experimental rhythms. the songs acute cadence lays a dense and atmospheric foundation for the ep. side b sees romanian artist traian chereches offer-up an absorbing counterpoint to shcaas opener on cage. the energy of chereches rebuttal fuses organic and interpretive sounds into a deft jazz reinterpretation, revealing a wide and surprising cinematic ambience. mastered by rashad becker from dubplates & mastering berlin prelude will be released on limited edition 12inch, 180g heavyweight vinyl with an outer sleeve featuring handmade artwork created by graphic designer alice voinea.the organic materials used in her work, emphasizing the interchange of the record adding a further layer of continuity one that stretches between the artist, the music and the listener.

man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.

für immer – traumhafte ballade und für immer und ewig mit doro pesch verbunden, die diesen wunderschönen song 1987 der musikwelt schenkte. doros erster deutscher song überhaupt – und wohl auch der erste in der geschichte des harten rock, der deutsche und englische text-passagen miteinander verknüpfte. für immer feiert nun 30-jähriges jubiläum – und passend dazu erscheint nun ein einzigartiges werk: das deutsche album von doro, das natürlich für immer heißt und 17 digital remasterte doro-songs beinhaltet, darunter bekannte hits und fan-favoriten wie (natürlich) für immer, alles ist gut, herzblut, engel und in liebe und freundschaft.

heres an anthology dedicated to the 70s period of dolores vargas, known as the earthquake due to her wild and frenzied dancing style. in these songs, released 1970-1975, youll hear killer sound and production mixing funk, rock and pop with the powerful vocal style of the earthquake. including real gipsy-funk bombs like a la pelota anana hip or la hawaiana along with her bizarre cover version of chirpy chirpy cheep cheep and much more.

a prison of predictions is the first lp from the ownlife label (excepting seld series, focused in pressing back gems from two decades ago) and also by the person behind it. leiras.
on it, the producer showcases a compendium featuring the characteristic sound of the platform, pushing ahead cyclical techno together with tracks that evoke the persistence of remembrance. echoing the preterit sound of sandwell district and renewed sound formulas from almost two decades of uk electronica. ambient brush strokes outline soundscapes surrounded by analogue sounds that share space with more direct and snappy songs. a scape on the frenetic side of electronica with an idm-leaning end closes the equation.
substantiating his versatility as a producer with the label’s previous 10 titles and undoubtedly confirmed on this record, leiras offers a consequent closing for the first stage of ownlife, which finishes on this point in order to look for new sound structures for the next transmissions.
this lp has been created in berlin during the last months using mixed recording techniques with the purpose of conceiving a narrative thread that gives coherence to the release, without doubt an inflection point in leiras’ discography.

lespoints010 - occult anti-neo-liberal acid squad vol.1 ep all songs written by flavio audino, luca digi lio, nicola kazimir and walid el barbir arranged by flavio audino, nicola kazimir and walid el barbir engineered by nicola kazimir and walid el barbir recorded at association les points, ,zürich, switzerland mixed at association les points, zürich, switzerland mastered at analogcuts mastering, berlin, germany

four tracks of stunning french disco in a wide range of styles: from 80 s afrobeat to underground canadian cosmic groove, here is another bullet from the parisian gang!
a1/ guehi jean pantalon s craqué guéhi jean is a key figure of ivorian music and many of his records mixing funk, jazz and afrobeat are sought after nowadays. having left africa in order to make it in france, he recorded this digital afrobeat hit in paris, then went back to his native country where he died in 2012. despite his talent, guéhi jean didn t get the recognition he deserved.
a2/ michel conte & cie s magoshan a disco anthem composed for quebec cultists wearing flares, or the main theme from an obscure series? anyway it is time to acclaim magoshan s pulsing come back on the dancefloor!
b1/ jean-michel gascuel s dominus this french composer who collaborated with pierre schaeffer was also a great lyricist working for the likes of vivian vee or suzy andrews, and a fashion designer. with its latin touch, this track is a little ufo standing out of the rest of his french productions, so let us be blessed by dominus domine dominarum.
b2/michel robidoux les planètes this track by composer michel robidoux featured on a kidisk with a book called -visitons les planètes avec goldorak- and was released in canada in 1980. this incredible space jam was chosen as a macaroon for this new ep – our tribute to an amazing composer who wrote more than 325 songs and even collaborated with leonard cohen.

green day sind die lieblingsband von vielen, und wenn man dem titel ihres neuen best-of-albums glauben schenkt, sogar von gott: hier sind die »greatest hits: god’s favorite band«.
und bereits die trackliste zeigt, dass sie damit recht haben könnten. insgesamt 22 songs aus drei jahrzehnten haben es in die chronologisch geordnete sammlung geschafft. von klassikern wie »2000 light years away«, »basket case« und »when i come around« über meilensteine wie »american idiot« und »wake me up when september ends« bis hin zu jüngeren stücken wie »still breathing« und »bang bang«.
ein weiteres highlight der »greatest hits: god’s favorite band«: die beiden brandneuen songs »ordinary world« (zusammen mit countrysängerin miranda lambert) und »back in the usa«.

ultra-rare gems extracted from 45s and 78s records released in the 1950s and early 1960s by obscure record labels! a collection of fast, hot and intense latin songs played by cuban, puerto rican, venezuelan, mexican and north american wild dance orchestras. recorded in the 1950s / 1960s and originally released on vinyl and 78rpm shellac records. savage bongos, volcanic trumpets, atomic rumbas, mambo inferno and wild conga for a successful party of exotic ecstasy!

robert rental was the stage name of robert donnachie (1952?2000), a british pioneer of post-punk, diy, and industrial music. originally from port glasgow, scotland, he moved to the south of england with thomas leer in the late 1970s where he met glenn michael wallis. glenn was recording music with the group heute and leaving to start his solo projects nkvd and konstruktivists. both were heavily involved with throbbing gristle and the industrial records crew. in the summer of 1979, robert invited glenn to his studio in battersea to jam. robert on guitar and glenn on an edp wasp synthesizer. for each session that summer they would play for about 40 minutes, maybe longer, stoned. robert suggested they record it, many times erasing and over recording one session for the next. the music had no titles, as they were never intended to be released. on these recordings, robert enjoyed playing like robert fripp of king crimson, while glenn channeled wolfgang flur of kraftwerk. influenced by krautrock bands like can, neu!, cluster/harmonia, as well as terry riley and brian eno the duo forged a unqiue brand of industrial music. tape loops and synthesizer sounds played backward conjure dark ambient moods. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the lp is housed in a jacket that features a drawing by robert rental from glenn?s archives as well as a handwritten note from robert to glenn. each copy includes 2 photo postcards featuring a transcription of robert?s letter and liner notes from glenn wallis.

moodoïd is a psychedelic rock band founded in 2013 by pablo padovani, the projects leader and mastermind. early nicknamed the new prodigy of french pop music, pablo wrote and conceived a first very peculiar, pop and psychedelic album. they notably toured with phoenix and played with renowned musician and producer damon albarn. soaked in psychedelic pop and world music, the songs written by pablo padovani evoke just as much os mutantes tropicalism, connan mockasin dreamy atmospheres and gong progressive liberties.

here is the first in an incredible series of dark and wonderful techno tracks: binaryh never lost nick devon, mallone and clawz sg have combined their talents to create a stellar four-track mix of ethereal yet driving techno songs, which, for the first time will be available for purchase on vinyl. stay tuned for more releases from this ongoing project, back to black which will continue to turn out even more poignant techno vibes

“never change a winnig team”. that s what radio citizen s niko schabel must have thought when he decided to release his fourth album once again on sonar kollektiv. after the success of “the night & the city” (sk310lp / cd) from 2015 and the productive collaboration ever since this seems like a wise resolution. schabel s idea to retrieve to a mountain cabin in salvenberg, tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. here they could create and record new songs and bring them together neatly for the new album. the 13 tracks assembled here on “silent guide” are – each on its own and in its entirety anyway – best proof how wonderfully this approach has worked out.
double vinyl in gatefold sleeve with download code included.

nena’s “feuer und flamme” (german for “fire and flame”, with the additional figurative meaning of “great enthusiasm”) was released in 1985. it’s the third album by german pop band nena and the fourth studio album of its singer, gabriele “nena” kerner. the album was a success, reaching no. 2 in germany.
prompted by the success of “99 luftballons” (1984), which included english-language versions of songs from the band’s first two albums, nena recreated “feuer und flamme” in english as “it’s all in the game” (1985), with lyrics by canadian singer lisa dalbello. the experiment failed commercially and was not repeated with the band’s next album. gabriele kerner recorded a new bilingual german-english version of “anyplace, anywhere, anytime” with kim wilde in 2002.
pressing on 180 gram audiophile vinyl.

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

asuntos internos is an ep dedicated to artists from spain, in this case 3 from barcelona (nlk, delusions & niet! and nehuen) and 1 from madrid (vvv). the first two songs, -overview- and -100 freeze-, have a obscure tones, and darkwave intensity. in -exorcism- delirious voices are planned on a magnetic basis while relatively ethereal, while -i do not know what i want- (jump it now mix) finally jumps into the dance floor with a purely techno ebm cut. asuntos internos es un ep dedicado a artistas del pais, en este caso 3 de barcelona (nlk, delusions & niet ! y nehuen) y 1 de madrid (vvv). las dos primeras canciones, -overview- y -100 freeze-, tienen un tono más post-punk: la primera recuerda a the cure y la segunda añade intensidad industrial. en -exorcismo- unas voces delirantes planean sobre una base magnética a la vez que relativamente etérea, mientras que -i don t know what i want (want it now mix)- salta finalmente a la pista de baile con un corte puramente techno ebm.

for the first time on vinyl - a definitive soundtrack to experience india, featuring 3 decades of hit songs from bollywood.
includes a dwonload code.

fergie veröffentlicht mit »double dutchess« endlich ihr lang erwartetes zweites studioalbum. mit dem pre-order-start präsentiert die mehrfach mit platin ausgezeichnete künstlerin erstmals neue songs und videos zu »you already know« featuring nicki minaj und »hungry« featuring rick ross. elf jahre nachdem ihr fünffach-platin solo album »the dutchess« die popmusik für immer veränderte, ist die achtfache grammy-gewinnerin fergie endlich zurück. »double dutchess« erscheint auf fergies eigenem label dutchess music/bmg.

these songs represent but a small sampling of the fruits of a flowering in brazilian creativity. the innovations in structure, lyrics and arrangements, combined with a very restrained but heartfelt intensity, are unique to brazilian pop music… and in their own way, are as radical, seductive and beautiful as the best english language pop.
the vinyl release includes a download code.

listen like thieves is the fifth album by australian rock band inxs. it was released in 1985 and is generally considered as their breakthrough album. inxs completes its transition into an excellent rock & roll singles band with this album.
it includes three of their greatest songs: >what you need<, >listen like thieves<, and >kiss the dirt (falling down the mountain)<.

the copenhagen based pop wonders blaue blume return with a new ep - sobs. the band formed around 6 years ago in a provincial danish town, drawn to each others love for rich, playful music. blaue blume (blue flower) is the epitome of a romantic band, their songs are brimming with love and yearning. now ‘sobs, the follow up to their ‘syzygy album in 2015, continues to build their reputation as a best kept secret, about to find a whole new audience of devotees. all four tracks for the ep were recorded in late 2016 in a three story villa, formerly owned by a religious cult. the band used the weird space away from the city to create a framework for the lyrics and the music. the band explains: blaue blume has been our band for about 6 years. in a bigger provincial town we started playing right out of highschool. at the moment we live in copenhagen and every day we play, write and work on sounds. its sort of become a life project. in our heads we make music that is playful, rich in detail and popish or somewhat smiling. for some beautifully inexplicable reason we ended up doing music together. in a way it seems sacred or at least meaningful. macabre is a happy song about being afraid of dying. some of us find that even the best life can be lonely sometimes. we found it interesting to address this taboo within the frame of a song that people could potentially dance or sing along to.

»a brand new me: aretha franklin with the royal philharmonic orchestra« verbindet ihre legendäre stimme aus den berühmtesten songs, die die »queen of soul« für atlantic records aufnahm, mit brandneuen arrangements, die vom royal philharmonic orchestra eingespielt wurden. aretha franklins unverwechselbare stimme wurde mit diesen neuen orchester-arrangements auf »a brand new me« wunderbar verschmolzen. die ebenfalls neu arrangierten und aufgenommenen backing-vocals stammen von grammy-gewinnerin patti austin, the royal philharmonic orchestra nahm seine parts in den londoner abbey road-studios auf.
das ergebnis dieser außergewöhnlichen bearbeitung besteht in einem zeitlosen album, das den soul, den groove und die gospelpower von franklins weltweit verehrter stimme erhält und einmal mehr in einem neuen kontext herausstellt. unter den highlights befinden sich neu imaginierte versionen von klassikern wie den zeitlosen billboard-no.1-hits »respect«, »think«, »don’t play that song (you lied)« und »angel«.
das album wurde von nick patrick und don reedman produziert, die auch für den weltweiten erfolg des albums »if i can dream: elvis presley with the royal philharmonic orchestra« verantwortlich sind, das vor kurzem in vielen ländern die charts toppte und mehr als 1.5 millionen exemplare verkaufte.

limitierte pressung auf rotem vinyl.
schon 2005 gründete sich das schweizer quartett aus mitgliedern der lausanner jazz-szene. doch von anfang an lag der fokus von olivier bill (querflöte), pierre-henry beyriere (bass), marc siegenthaler (keyboards) und sylvain rütti (schlagzeug, percussion) auf den tanzflächen der clubs, ihre groovebetonte, überwiegend instrumentale musik hat neben eleganten einflüssen aus jazz, soul, funk, afrobeat und psychedelia stets auch einen knackigen einschlag von 60’s beat, garage und lofi.
auf »released!« versammeln die musiker zehn brandneue wie auch bereits auf raren 7”-singles veröffentlichte songs und remixes. echte acid jazz-freaks kennen die kracher ›wonder zebra‹ oder ›v. l.a. m. (lack of afro remix)‹ vielleicht schon, ›hurricane train‹ kommt hier im soulbrigada-remix, und mit ›jump the gun‹ und dem rap-feature von afu-ra gibt es sogar einen vocal-track.
gemein ist allen tracks ihr feinsinniges gespür für coole grooves und melodien, die prägnanten flötenmelodien und die erstaunlich kraftvolle rhythmussektion, das alles in einer produktion, die transparenz und räumlichkeit perfekt mit analog knisterndem retro-charme verbindet. genre-feinschmecker, dj’s und testimonials können sich jedenfalls jetzt schon auf die schweizer groove-experten einigen.